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Springer
Heart of glass
Paula Guerra
Singende Gesellschaft – Bestandsaufnahme
Jochen Kaiser
On analyzing edm dj sets
José Gálvez
Phänomenologie und Singen – Orientierung
An ethnographic investigation into the culture and people of the UK free party (illegal rave) scene in the twenty first century
Marianne L. Keeler
Singen erleben
Collaboration in semi-professional music groups
Tobias Marx
Forschungsdesign, empirische Studie – Vorstellung
Samba batucada
Francisco Assis Santana Mestrinel
Singen Christlicher Lieder – Ergebnisse
Singen als ästhetische Kommunikation – Fazit
"Sing to the lord a new song"
Ryoto Akiyama
Introduction
Marija Dumnić VilotijevićIvana Medić
Musical formation of popular Singers in Brazil
Jaqueline Soares MarquesJusamara Souza
Urban folk music and cultural influences
Marija Dumnić Vilotijević
Queen katy patra represents ancient egypt in pop music
Yvonne Vosmann
Rock music videos in Serbia since the 1990s
Ivana Medić
Analysing the voice in popular music with categories of "voice"
Fernand Hörner
Defining popular music
Sergio Mazzanti
Researching popular music through transmedia festivals
Bianca Ludewig
Popular music studies in kassel and the Germanies – looking back, looking ahead
Jan Hemming
The underground, dispossession and positionality in Greek experimental music
Danae Stefanou
Popular song and literary scholarship
Cláudia Neiva de Matos
Just for the fun of it?
Chris Anderton
Women who rock
Donna S. Parsons
Towards posthegemonic popular music studies
Artur Szarecki
Group listening, a typical practice of popular music applied to musician training
Elina Goldsack
"Party music", expression of identities, aesthetics and power in the African diaspora
Frank Marcon
Studying listening to recorded popular music
Marta García Quiñones
Phänomenologie eines Singerlebnisses – Einführung
Pathways of pop
Daniel Fredriksson
Singen als ästhetische Kommunikation – Definition
Golfos, punkis, alternativos, indignados
Paula GuerraCarles Feixa
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