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Springer
Inventing malleable scores
Vol. 7
Arthur Clay
Ethical and activist considerations of the technological artwork
David Cecchetto
Glimmer
Jason Freeman
DIY
Marcin Ramocki
Gestures, interfaces and other secrets of the stage
Eva Sjuve
Tuning in Rorschach maps
Will Pappenheimer
Beyond the threshold
Carolyn Guertin
Artificial, natural, historical
Julian Rohrhuber
Copuppet
Paolo BottoniStefano FaralliAnna LabellaAlessio MaliziaMario PierroSemi Ryu
The colour of time (God is a lobster and other forbidden bodies)
Johnny Golding
Experiments in digital puppetry
Ian Grant
Behind the screen
Ted Hiebert
Variations on variations
Dániel Biró
Formalized and non-formalized expression in musical interfaces
Cornelius Poepel
Transliteracy and new media
Sue Thomas
Digital archiving and "the new screen"
John Barber
Interactive spaces
Jeffrey HuangMuriel Waldvogel
Digital fiction
Kate Pullinger
Functors for music
Guerino Mazzola Gérard MilmeisterKarim MorsyFlorian Thalmann
From electric devices to electronic behaviour
Stijn Ossevoort
The present [future] of electronic literature
Dene Grigar
Body degree zero anatomy of an interactive performance
Alan Dunning Paul Woodrow
Scentsory design®
Jennifer Tillotson
Transient passages
Celina Jeffery
Imaging place
John Freeman
Advances in expressive animation in the interactive performance of a butoh dance
Jürg GutknechtIrena KulkaPaul LukowiczTom Stricker
Designing a system for supporting the process of making a video sequence
Shigeki AmitaniErnest Edmonds
Anthropocentrism and the staging of robots
Louis-Philippe DemersJana Horakova
Video game audio prototyping with half-life 2
Leonard J. Paul
Computer-assisted content editing techniques for live multimedia performance
Stefan Müller ArisonaPascal MüllerSimon Schubiger-BanzMatthias Specht
About... software, surveillance, scariness, subjectivity (and SVEN)
Amy Alexander
The nova display system
Simon Schubiger-BanzMartina Eberle
Visceral mobile music systems
Atau Tanaka
Four wheel drift
Petra WatsonJulie Andreyev
Computational audiovisual composition using Lua
Wesley SmithGraham Wakefield
Introduction
Steve Gibson
Interrellation
Hannes RaffasederMartin Parker
The ethics of aesthetics
Don Ritter
A comparison between musical and speech rhythms
Vol. 943
Chawadon Ketkaew Yanin Sawanakunanon
Singer's performance style in numbers and dynamic curves
Gregory Martynenko
Textual and musical invariants for searching and classification of traditional music
Ilya Saitanov
Sound symbolism of contemporary communication
Jana Jurčević
Slips of the ear as clues for speech processing
Elena I. Riekhakaynen Alena Balanovskaia
Phrase breaks in everyday conversations from sociolinguistic perspective
Natalia Bogdanova-Beglarian
Audible paralinguistic phenomena in everyday spoken conversations
Tatiana Sherstinova
Distributed software hardware solution for complex network sonification
Gleb G. Rogozinsky Konstantin Lyzhinkin Anna Egorova Dmitry Podolsky
Automated soundtrack generation for fiction books backed by Lövheim's cube emotional model
Alexander Kalinin Anastasia Kolmogorova
When language survived, music resurrected and computer died
Anastasia Kolmogorova
Characteristics of music playback and visio-motor interaction at sight-reading by pianists depending on the specifics of a musical piece
Leonid Tereshchenko Galina Zadneprovskaya Alexander Latanov
The role of truth-values in indirect meanings
Basil Lourié Olga Mitrenina
Semantics and syntax tagging in Russian child corpus
Polina Eismont
Linguistic approaches to robotics
Artemy Kotov Nikita Arinkin Ludmila Zaidelman Anna Zinina
Does the y-model for language work for music?
Oriol Quintana
Is generative theory misleading for music theory?
Rafael Barbosa
Acoustic and perceptual-auditory determinants of transmission of speech and music information (in regard to semiotics)
Rodmonga Potapova Vsevolod Potapov
Synchronization of musical acoustics and articulatory movements in Russian classical romance
Karina Evgrafova Vera Evdokimova Pavel Skrelin Tatjana Chukaeva
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