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Digital fiction
from the page to the screen
pp. 120-126
Abstrakt
In this essay Pullinger will discuss writing across media, in particular, print and digital fiction. For Pullinger the divide between the digital and print worlds is artificial; she has always worked across many forms. However, there are very few established fiction writers who work in both print and digital, in terms of creating born-digital fiction projects like Pullinger and Joseph's "Inanimate Alice". Many book writers and publishers remain mired in decade-old arguments and anxieties about the future of the book, some of which are deadends (the death of the book) and some of which are very important (the future of copyright). Although Pullinger participates in discussions of these issues, her primary interest is in making a living from creating work whether it is digital or print.
Publication details
Published in:
Adams Randy, Gibson Steve, Müller Arisona Stefan (2008) Transdisciplinary digital art. sound, vision and the new screen: digital art weeks and interactive futures 2006/2007, Zurich, Switzerland and Victoria, BC, Canada. selected papers. Dordrecht, Springer.
Seiten: 120-126
DOI: 10.1007/978-3-540-79486-8_12
Referenz:
Pullinger Kate (2008) „Digital fiction: from the page to the screen“, In: R. Adams, S. Gibson & S. Müller Arisona (eds.), Transdisciplinary digital art. sound, vision and the new screen, Dordrecht, Springer, 120–126.