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Mathematics and computation in music

5th international conference, MCM 2015, London, UK, June 22-25, 2015

herausgegeben vonTom CollinsDavid MeredithAnja Volk

Abstrakt

This book constitutes the thoroughly refereed proceedings of the 5th International Conference on Mathematics and Computation in Music, MCM 2015, held in London, UK, in June 2015. The 24 full papers and 14 short papers presented were carefully reviewed and selected from 64 submissions. The papers feature research that combines mathematics or computation with music theory, music analysis, composition, and performance. They are organized in topical sections on notation and representation, music generation, patterns, performance, similarity and contrast, post-tonal music analysis, geometric approaches, deep learning, and scales.

Details | Inhaltsverzeichnis

A structural theory of rhythm notation based on tree representations and term rewriting Florent JacquemardPierre Donat-BouilludJean Bresson

pp.3-15

https://doi.org/10.1007/978-3-319-20603-5_1
Renotation from optical music recognition Liang ChenRong JinChristopher Raphael

pp.16-26

https://doi.org/10.1007/978-3-319-20603-5_2
Foundations for reliable and flexible interactive multimedia scores Jaime AriasMyriam Desainte-Catherine

pp.29-41

https://doi.org/10.1007/978-3-319-20603-5_3
Genetic algorithms based on the principles of Grundgestalt and developing variation Carlos de Lemos Almada

pp.42-51

https://doi.org/10.1007/978-3-319-20603-5_4
Describing global musical structures by integer programming on musical patterns Tsubasa TanakaKoichi Fujii

pp.52-63

https://doi.org/10.1007/978-3-319-20603-5_5
Improved iterative random walk for four-part harmonization Raymond WhorleyDarrell Conklin

pp.64-70

https://doi.org/10.1007/978-3-319-20603-5_6
Location constraints for repetition-based segmentation of melodies Marcelo Rodríguez-LópezAnja Volk

pp.73-84

https://doi.org/10.1007/978-3-319-20603-5_7
Modeling musical structure with parametric grammars Mathieu GiraudSławek Staworko

pp.85-96

https://doi.org/10.1007/978-3-319-20603-5_8
Perfect balance

a novel principle for the construction of musical scales and meters

Andrew J. MilneDavid BulgerSteffen A. HerffWilliam A. Sethares

pp.97-108

https://doi.org/10.1007/978-3-319-20603-5_9
Characteristics of polyphonic music style and Markov model of pitch-class intervals Eita NakamuraShinji Takaki

pp.109-114

https://doi.org/10.1007/978-3-319-20603-5_10
A corpus-sensitive algorithm for automated tonal analysis Christopher Wm. White

pp.115-121

https://doi.org/10.1007/978-3-319-20603-5_11
Finding optimal triadic transformational spaces with Dijkstra's shortest path algorithm Ryan Groves

pp.122-127

https://doi.org/10.1007/978-3-319-20603-5_12
A probabilistic approach to determining bass voice leading in melodic harmonisation Dimos MakrisMaximos Kaliakatsos-PapakostasEmilios Cambouropoulos

pp.128-134

https://doi.org/10.1007/978-3-319-20603-5_13
Hypergestures in complex time

creative performance between symbolic and physical reality

Maria MannoneGuerino Mazzola

pp.137-148

https://doi.org/10.1007/978-3-319-20603-5_14
Generating fingerings for polyphonic piano music with a tabu search algorithm Matteo BalliauwDorien HerremansDaniel Palhazi CuervoKenneth Sörensen

pp.149-160

https://doi.org/10.1007/978-3-319-20603-5_15
Logistic modeling of note transitions Luwei YangElaine ChewKhalid Z Rajab

pp.161-172

https://doi.org/10.1007/978-3-319-20603-5_16
Evaluating Singer consistency and uniqueness in vocal performances Johanna Devaney

pp.173-178

https://doi.org/10.1007/978-3-319-20603-5_17
A change-point approach towards representing musical dynamics Katerina KostaOscar F. BandtlowElaine Chew

pp.179-184

https://doi.org/10.1007/978-3-319-20603-5_18
Structural similarity based on time-span sub-trees Masatoshi HamanakaKeiji HirataSatoshi Tojo

pp.187-192

https://doi.org/10.1007/978-3-319-20603-5_19
Cross entropy as a measure of musical contrast Robin LaneyRobert SamuelsEmilie Capulet

pp.193-198

https://doi.org/10.1007/978-3-319-20603-5_20
Symbolic music similarity using neuronal periodicity and dynamic programming Rafael ValleAdrian Freed

pp.199-204

https://doi.org/10.1007/978-3-319-20603-5_21
Applications of DFT to the theory of twentieth-century Harmony Jason Yust

pp.207-218

https://doi.org/10.1007/978-3-319-20603-5_22
Utilizing computer programming to analyze post-tonal music

contour analysis of four works for solo flute

Kate Sekula

pp.219-230

https://doi.org/10.1007/978-3-319-20603-5_23
A statistical approach to the global structure of John Cage's number piece $${five}^5$$ Alexandre Popoff

pp.231-236

https://doi.org/10.1007/978-3-319-20603-5_24
Exact cover problem in Milton Babbitt's all-partition array Brian BemmanDavid Meredith

pp.237-242

https://doi.org/10.1007/978-3-319-20603-5_25
Constructing geometrical spaces from acoustical representations Özgür İzmirli

pp.245-256

https://doi.org/10.1007/978-3-319-20603-5_26
Geometry, iterated quantization and filtered voice-leading spaces Clifton Callender

pp.257-266

https://doi.org/10.1007/978-3-319-20603-5_27
Using fundamental groups and groupoids of chord spaces to model voice leading James J. Hughes

pp.267-278

https://doi.org/10.1007/978-3-319-20603-5_28
All-interval structures Robert W. Peck

pp.279-290

https://doi.org/10.1007/978-3-319-20603-5_29
Unifying tone system definitions

ordering chromas

Tobias Schlemmer

pp.291-302

https://doi.org/10.1007/978-3-319-20603-5_30
A categorical generalization of Klumpenhouwer networks Alexandre PopoffAndrée C. Ehresmann Moreno Andreatta

pp.303-314

https://doi.org/10.1007/978-3-319-20603-5_31
The Spinnen-Tonnetz

new musical dimensions in the 2d network for tonal music analysis

Gilles BaroinHugues Seress

pp.315-320

https://doi.org/10.1007/978-3-319-20603-5_32
Probabilistic segmentation of musical sequences using restricted Boltzmann machines Stefan LattnerMaarten GrachtenKat AgresCarlos Eduardo Cancino Chacón

pp.323-334

https://doi.org/10.1007/978-3-319-20603-5_33
¿el caballo viejo?

Latin genre recognition with deep learning and spectral periodicity

Bob L. Sturm

pp.335-346

https://doi.org/10.1007/978-3-319-20603-5_34
Can a musical scale have 14 generators? Emmanuel Amiot

pp.349-360

https://doi.org/10.1007/978-3-319-20603-5_35
On the step-patterns of generated Scales that are not well-formed Marco Castrillón LópezManuel Domínguez Romero

pp.361-372

https://doi.org/10.1007/978-3-319-20603-5_36
Triads as modes within scales as modes Thomas Noll

pp.373-384

https://doi.org/10.1007/978-3-319-20603-5_37
Greek ethnic modal names vs. alia musica's nomenclature David ClampittJennifer Shafer

pp.385-390

https://doi.org/10.1007/978-3-319-20603-5_38

Publication details

Publisher: Springer

Ort: Dordrecht

Year: 2015

Seiten: 392

Series: Lecture Notes in Computer Science

Series volume: 9110

DOI: 10.1007/978-3-319-20603-5

ISBN (hardback): 978-3-319-20602-8

ISBN (digital): 978-3-319-20603-5

Referenz:

Collins Tom, Meredith David, Volk Anja (2015) Mathematics and computation in music: 5th international conference, MCM 2015, London, UK, June 22-25, 2015. Dordrecht, Springer.