Repository | Buch
Queer voices
technologies, vocalities, and the musical flaw
Abstrakt
This book argues that there are some important implications of the role the voice plays in popular music when thinking about processes of identification. The central thesis is that the voice in popular music is potentially uncanny (Freud's unheimlich), and that this may invite or guard against identification by the listener.
Details | Inhaltsverzeichnis
voice, queer, technologies
pp.1-23
https://doi.org/10.1057/9780230119550_1we go to the opera to eat voice
pp.25-57
https://doi.org/10.1057/9780230119550_2America's most defiant square
pp.59-93
https://doi.org/10.1057/9780230119550_3great interpreter; dysfunctional vocalist
pp.95-126
https://doi.org/10.1057/9780230119550_4one long mad scene
pp.127-160
https://doi.org/10.1057/9780230119550_5to queer or not to queer?
pp.161-163
https://doi.org/10.1057/9780230119550_6Publication details
Publisher: Palgrave Macmillan
Ort: Basingstoke
Year: 2011
Seiten: 192
ISBN (hardback): 978-1-349-29018-5
ISBN (digital): 978-0-230-11955-0
Referenz:
(2011) Queer voices: technologies, vocalities, and the musical flaw. Basingstoke, Palgrave Macmillan.