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Marx at the movies
revisiting history, theory and practice
Abstrakt
Marx and the Moving Image approaches cinema from a Marxist perspective. It argues that the supposed 'end of history', marked by the comprehensive triumph of capitalism and the 'end of cinema', calls for revisiting Marx's writings in order to analyse film theories, histories and practices.
Details | Inhaltsverzeichnis
Kant, Marx and Adorno
pp.27-45
https://doi.org/10.1057/9781137378613_2Terence Davies' Distant voices, still lives
pp.62-81
https://doi.org/10.1057/9781137378613_4a materialist re-evaluation of Fritz Lang's you and me
pp.82-101
https://doi.org/10.1057/9781137378613_5four Marxist takes on film comedy
pp.102-122
https://doi.org/10.1057/9781137378613_6Marxism and the Czechoslovak new wave
pp.147-170
https://doi.org/10.1057/9781137378613_8pp.171-197
https://doi.org/10.1057/9781137378613_9Marx/eisenstein/the capital (video 2008) by Alexander Kluge
pp.244-266
https://doi.org/10.1057/9781137378613_12Moor and the ravens of London and Hans Röckle and the devil
pp.267-286
https://doi.org/10.1057/9781137378613_13Publication details
Publisher: Palgrave Macmillan
Ort: Basingstoke
Year: 2014
Seiten: 293
ISBN (hardback): 978-1-349-47837-8
ISBN (digital): 978-1-137-37861-3
Referenz:
Mazierska Ewa, Kristensen Lars (2014) Marx at the movies: revisiting history, theory and practice. Basingstoke, Palgrave Macmillan.