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Giving voice to the voiceless
empowerment through music – a commentary
pp. 153-156
Abstrakt
The interlocking narratives that comprise this chapter immediately enable the reader to enter the complex world of a gifted teacher, whose own, sometimes painful, experiences have enriched her approach to teaching in a specialised learning environment. Clandinin (2006) sees narrative inquiry as having three dimensions: "the personal and social (interaction) along one dimension; past, present and future (continuity) along a second dimension; place (situation) along a third dimension" (p. 47). Kroon describes the teacher and her interactions with the students in some detail, and we hear the voices of the teacher, the principal, and, to a lesser extent, the students and their parents emerge in this account.
Publication details
Published in:
Barrett Margaret S., Stauffer Sandra L. (2009) Narrative inquiry in music education: troubling certainty. Dordrecht, Springer.
Seiten: 153-156
DOI: 10.1007/978-1-4020-9862-8_14
Referenz:
Marsh Kathryn (2009) „Giving voice to the voiceless: empowerment through music – a commentary“, In: M. S. Barrett & S. L. Stauffer (eds.), Narrative inquiry in music education, Dordrecht, Springer, 153–156.