Repository | Buch
New developments in film theory
Abstrakt
This book examines some of the most significant recent developments in film and critical theory. The book is divided into four sections, each dealing with established and alternative critical concepts and approaches. These four are: The Gaze and Subjectivity; Film and Discourse; Film and Culture; Film and Meaning. Each of these topics is explored using concepts from post-structuralism and postmodernism, working towards the idea that the relationship between film studies and critical theory is a vital and diverse interplay of rich and exciting ideas.
Details | Inhaltsverzeichnis
masochism, identification and phantasy in the spectator
pp.6-23
https://doi.org/10.1007/978-0-333-98569-4_2film and its discourses
pp.46-70
https://doi.org/10.1007/978-0-333-98569-4_4the corporeality of the filmic discourse
pp.71-91
https://doi.org/10.1007/978-0-333-98569-4_5film and culture
pp.92-108
https://doi.org/10.1007/978-0-333-98569-4_6film and social order
pp.109-136
https://doi.org/10.1007/978-0-333-98569-4_7gender, genre and power
pp.158-174
https://doi.org/10.1007/978-0-333-98569-4_9Publication details
Publisher: Palgrave Macmillan
Ort: Basingstoke
Year: 2000
Seiten: 211
ISBN (hardback): 978-0-333-74491-8
ISBN (digital): 978-0-333-98569-4
Referenz:
Fuery Patrick (2000) New developments in film theory. Basingstoke, Palgrave Macmillan.