From the very beginning, it has been difficult to extract a smooth narrative from the complex plot of Bakhtin's life and work. Early attempts to do this proposed an unconvincing distinction between a private philosophical Bakhtin and the man who wrote compelling and innovative work on the philosophy of language, the stylistics of the novel, and the culture of carnival. The 7-volume Sobranie sočinenij (1996–2012) both frustrates and supports this simplifying narrative. The texts it presents, many radically different from earlier published versions, suggest that Bakhtin's commitment to the stylistics of the novel was permanent and enduring and that its sociological colouring was more than strategic. The notes and commentary, however, seek to corral the energy of the material, by persistently interpreting Bakhtin's works as separable into philosophical kernels and sociological/stylistic shells.